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Often listed among the greatest film comedies, it ranks 31st on AFI's list of the top feature films in American cinema, fourth on their list of top comedy films and number 28 on Bravo's "100 Funniest Movies".
Film critic Roger Ebert called it "just about everyone's favorite Woody Allen movie".
One was a relationship with a young woman, another was a concern with the banality of the life that we all live, and a third an obsession with proving himself and testing himself to find out what kind of character he had.
He recognized that for the first time he had the courage to abandon the safety of complete broad comedy and had the will to produce a film of deeper meaning which would be a nourishing experience for the audience.
The film additionally won four BAFTA awards and a Golden Globe, the latter being awarded to Keaton.
Academics have noted the contrast in the settings of New York City and Los Angeles, the stereotype of gender differences in sexuality, the presentation of Jewish identity, and the elements of psychoanalysis and modernism.
The idea for what would become Annie Hall was developed as Allen walked around New York City with co-writer Marshall Brickman.
The pair discussed the project on alternate days, sometimes becoming frustrated and rejecting the idea.
Instead, they discuss his first wife, whose ardor gave him no pleasure. Following the game, awkward small talk led her to offer him first a ride up town and then a glass of wine on her balcony.
His second marriage was to a New York writer who didn't like sports and was unable to reach orgasm. The two of them have fun making a meal of boiled lobster together. There, what seemed a mild exchange of trivial personal data is revealed in "mental subtitles" as an escalating flirtation.