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The native of Denmark, armed with enthusiasm, clear vision and winning ways, worked his way into the top levels of civic influence in Omaha while guiding a Nebraska manufacturer onto the world stage.
Some clouds this morning will give way to generally sunny skies for the afternoon.
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'The atmosphere and beautiful layering of textiles suggests a turning back on the world.
This was shown in Episode 4, at the start of the evening when the lecherous Anatole Kuragin (Callum Turner) begins his seduction of Natasha.If the image seems familiar it is because it is based on a painting of the nineteenth century poet Lord Byron which is in the National Portrait Gallery, London.Painted in 1813 by portrait painter Thomas Phillips, Byron, with his swaggering good looks, had become a literary celebrity the year before this with the publication of the first part of his long narrative poem Childe Harold's Pilgrimage.'Tolstoy is fairly explicit in describing Dolokhov's entrance to the opera and this portrait of Lord Byron supplied the starting point,' says Edward. This picture hangs in the State Tretyakov Gallery in Moscow.'This painting has such a wonderful atmosphere and really captures the mood of what it might have been like to be in that room' says Tom.'As well as speaking to us both of Andrei, there is also something startling about its modernity and timelessness.'It is not a formal straight-up portrait of the period, but rather a much more relaxed painting, almost a snap shot of a man which seems to capture the essence of his character.We both felt that this was what we wanted to try to achieve with the way we dressed our characters. It was a very Russian/ Eastern colour that helps to distinguish our world from the pastel comforts of English drawing rooms.' In episode 5, Natasha Rostova faced another painful emotional stage on her journey from innocence to experience.
It is not just the waistcoat and frothy white shirt which proved to be an inspiration but also the extravagant dark curled hair and chiselled chin.