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In this production, Hamlet retained Yorick's skull throughout subsequent scenes, and it was eventually placed on a mantelpiece as a "talisman" during his final duel with Laertes.
It was also a familiar motif in emblem books and tombs.
Hamlet meditating upon the skull of Yorick has become the most lasting embodiment of this idea, and has been depicted by later artists as a continuation of the Vanitas tradition.
Pianist André Tchaikowsky donated his skull to the Royal Shakespeare Company for use in theatrical productions, hoping that it would be used as the skull of Yorick. His skull was used during rehearsals for a 1989 RSC production of Hamlet starring Mark Rylance, but the company eventually decided to use a replica skull in the performance.
Musical director Claire van Kampen, who later married Rylance, recalled: As a company, we all felt most privileged to be able to work the gravedigger scene with a real skull ...
The sight of Yorick's skull evokes a monologue from Prince Hamlet on mortality: Alas, poor Yorick! (Hamlet, V.i) The opening words are very commonly misquoted as "Alas, poor Yorick!